{"id":668,"date":"2015-04-02T15:46:14","date_gmt":"2015-04-02T13:46:14","guid":{"rendered":"https:\/\/realgoya.com\/?p=668"},"modified":"2016-06-14T19:10:51","modified_gmt":"2016-06-14T17:10:51","slug":"el-atrevimiento-de-mirar-antonio-munoz-molina-%e2%80%a2-gl3","status":"publish","type":"post","link":"https:\/\/realgoya.com\/en\/el-atrevimiento-de-mirar-antonio-munoz-molina-%e2%80%a2-gl3\/","title":{"rendered":"El atrevimiento de mirar. ANTONIO MU\u00d1OZ MOLINA. \u2022 G&L3The Audacity of Looking. ANTONIO MU\u00d1OZ MOLINA. \u2022 G&L3"},"content":{"rendered":"

El atrevimiento de mirar<\/strong>. ANTONIO MU\u00d1OZ MOLINA.<\/p>\n

CAT\u00c1LOGO DE LA EXPOSICI\u00d3N Goya y el mundo moderno.<\/em><\/p>\n

 <\/p>\n

En el Cat\u00e1logo de la Exposici\u00f3n Goya y el mundo Moderno<\/em>, Antonio Mu\u00f1oz Molina escribe un art\u00edculo titulado El atrevimiento de mirar<\/em>. El mismo t\u00edtulo lleva el libro publicado por Galaxia Gutenberg que incluye adem\u00e1s otros dedicados a artistas como Hopper, Picasso, Schad, Genov\u00e9s \u2026escritos realizados a lo largo de 20 a\u00f1os .<\/p>\n

Debo confesar una peculiar simpat\u00eda por el autor de Beatus ille, la primera novela que le\u00ed. Pero adem\u00e1s, mi admiraci\u00f3n por la valent\u00eda moral de este escritor que ha denunciado tantas veces y de diversas maneras la cultura empobrecida y adormecida de este pa\u00eds. Tambi\u00e9n he disfrutado de sus magn\u00edficos art\u00edculos sobre arte, artistas y exposiciones publicados en el diario El pa\u00eds, en un tono apasionado, profundo, el tono de un espectador enamorado, dir\u00eda , que denotan no s\u00f3lo a un amante del Arte sino a un hombre que sabe mirar , que ha aprendido a mirar. En ese \u201coficio\u201d sus maestros de formaci\u00f3n han sido Pierre Francastel, G.C.Argan, Gombrich, Panofsky.<\/p>\n

Mu\u00f1oz Molina habla en voz alta y clara, con la dignidad que implica tomar partido, por ello, PUEDE escribir sobre Goya como lo ha hecho.<\/p>\n

 <\/p>\n

Molina nos habla del acto de mirar, de c\u00f3mo mirar sin querer ver, mirar negando lo que se ve, mirar y esconder la mirada\u2026Los acontecimientos feroces de cada d\u00eda hace que las gentes se acostumbren al horror siempre y cuando \u201cest\u00e9 lejos\u201d, pero tambi\u00e9n negando su realidad, un espect\u00e1culo que sucede en la tele\u2026<\/p>\n

Dice Molina: \u201c a Goya no lo domestica ni lo trivializa nadie. Sobre \u00e9l no act\u00faa el anest\u00e9sico de la familiaridad\u201d y \u201clos Desastres\u201d no tienen que entenderse como una afirmaci\u00f3n de auten-ticidad en el testimonio de algo que habr\u00eda sucedido tal como se representa, sino como una declaraci\u00f3n de principios \u201c.<\/p>\n

Mucho m\u00e1s tarde la fotograf\u00eda, dio testimonio de una veracidad incontestable : esto fue, esto sucedi\u00f3, aqu\u00ed est\u00e1 la prueba.<\/p>\n

\u201cLa mirada implica consecuencias pol\u00edticas y morales \u2026La funci\u00f3n expl\u00edcita de una cantidad inmensa de relatos y de im\u00e1genes, ahora igual que en los tiempos de Goya, es ocultar y mentir\u201d.<\/p>\n

\u201cNo es que Goya mire sin tomar partido. Testimonia lo que los hombres se hacen unos a otros..\u2026\u201d, \u2026\u201co se mira o no se mira. Si se cuenta s\u00f3lo una parte de la verdad se est\u00e1 mintiendo\u201d.<\/p>\n

 <\/p>\n

Estos textos , que quiz\u00e1s hayan pasado un tanto desapercibidos dada la magnitud de la Exposici\u00f3n en n\u00famero y calidad de las obras, merecen nuestra atenci\u00f3n, sobre todo hoy, cuando la barbarie es noticia de cada d\u00eda.<\/p>\n

 <\/p>\n

S.Pagliano.The Audacity of Looking<\/strong>. ANTONIO MU\u00d1OZ MOLINA.<\/p>\n

CATALOGUE OF THE EXHIBITION Goya and The Modern World.<\/em><\/p>\n

 <\/p>\n

In the catalogue of the exhibition Goya and The Modern World<\/em>, Antonio Mu\u00f1oz Molina writes an article entitled The audacity of Looking<\/em>. The same title is published by GalaxIa Gutenberg which includes also others devoted to artists such as Hopper, Picasso, Schad, Genov\u00e9s… writes carried out over 20 years.<\/p>\n

 <\/p>\n

I must confess a peculiar sympathy for the author of Beatus ille<\/em>, the first novel I read. But also, my admiration for the moral courage of this writer who has denounced as many times and in various ways the impoverished and numb culture of this country. I also enjoyed his great articles on art, artists and exhibitions published in El Pa\u00eds<\/em> newspaper, in a passionate and deep tone; the tone of a spectator in love, I would say, to denote not only a lover of art but a man who knows how to look, that has learned to look. In that “job” his training teachers have been Pierre Francastel, G. C. Argan, Gombrich, Panofsky.<\/p>\n

Mu\u00f1oz Molina speaks loud and clear, with the dignity that entails taking party, therefore, CAN write about Goya as he did so.<\/p>\n

 <\/p>\n

Molina tells us about the act of looking, how to look without wanting to see, to look denying what you see, look and hide the look\u2026 The ferocious events of each day makes people get used to the horror when is “far”, but also denying its reality, a show that happens on TV…<\/p>\n

Molina says: “Goya is not domestic or nobody trivializes him. The anaesthetic of \u201cfamiliarity” does not act on him and “Disasters” shall not be understood as an assertion of authenticity in the testimony of something that would have happened as it is rendered, but as a statement of principles\u201d.<\/p>\n

Much later the photography bore witness to an undeniable truth: this was, this happened, here it is the proof.<\/p>\n

 <\/p>\n

“The look implies political and moral consequences… The explicit function of an immense amount of stories and images, nowadays as in the time of Goya, is hiding and lying”.<\/p>\n

“It’s not that Goya looks without taking part. Testifies what men do to each other”, \u2026\u201dor you look or not. If you only tells a part of the truth you are lying”.<\/p>\n

 <\/p>\n

These texts, which have perhaps gone somewhat unnoticed given the magnitude of the Exhibition in number and quality of the works, deserve our attention, especially today, when barbarism is news of each day.<\/p>\n

 <\/p>\n

S. Pagliano.<\/p>\n","protected":false},"excerpt":{"rendered":"

El atrevimiento de mirar. ANTONIO MU\u00d1OZ MOLINA. CAT\u00c1LOGO DE LA EXPOSICI\u00d3N Goya y el mundo moderno.   En el Cat\u00e1logo de la Exposici\u00f3n Goya y el mundo Moderno, Antonio Mu\u00f1oz Molina escribe un art\u00edculo titulado El atrevimiento de mirar. El mismo t\u00edtulo lleva el libro publicado por Galaxia Gutenberg que incluye adem\u00e1s otros dedicados a […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"class_list":["post-668","post","type-post","status-publish","format-standard","hentry","category-goya-en-la-literatura"],"_links":{"self":[{"href":"https:\/\/realgoya.com\/en\/wp-json\/wp\/v2\/posts\/668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/realgoya.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/realgoya.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/realgoya.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/realgoya.com\/en\/wp-json\/wp\/v2\/comments?post=668"}],"version-history":[{"count":0,"href":"https:\/\/realgoya.com\/en\/wp-json\/wp\/v2\/posts\/668\/revisions"}],"wp:attachment":[{"href":"https:\/\/realgoya.com\/en\/wp-json\/wp\/v2\/media?parent=668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/realgoya.com\/en\/wp-json\/wp\/v2\/categories?post=668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/realgoya.com\/en\/wp-json\/wp\/v2\/tags?post=668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}